© » KADIST
Leslie Shows
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage. Both through its title and formally—through how the shapes in the composition resemble a mountain or natural formation—the piece relays us to a mineral quarry or a deep mining pit where materials are extracted. Interspersed among the block-like figures and rocky textures, we also see several human silhouettes, either cut-out, or as if they were whited out by a shining light, or lost in the shadows.
© » KADIST
Julio Cesar Morales
Drawing & Print (Drawing & Print)
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation. Morales drew inspiration from both his childhood near the United States-Mexico border as well as from photographic documentation on U. S. government websites.
© » KADIST
Phillip Maisel
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves. Elements used in various stages of photographic processes (color filters, glassine, and prints themselves) are integrated back into the artwork either as part of the sculpture or as collage elements that are later added to the print. In some of the works, Maisel cuts into the prints themselves.
© » KADIST
Matt Lipps
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form. For Untitled (Men) (2011), he snipped from magazines and textbooks pictures of handsome or famous men, from the ancient Greek to the modern. Arranged in a tableau, lit theatrically, and rephotographed, the two-dimensional figures have an embodied presence.
© » KADIST
Bruce Conner
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience. The video presents us with a reinterpretation of footage from his unreleased avant-garde film, Easter Morning Raga , from 1966. In contrast to his more famous pieces like A Movie (1958) and Crossroads (1976) which are juxtapositions of fragments from newsreels, soft-core pornography, and B movies, the images in EASTER MORNING serve as a reinterpretation of footage.
© » KADIST
Ranu Mukherjee
Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining.
© » KADIST
Clare Rojas
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.
© » KADIST
Paul Kos
Taking its title from the eponymous mythological creature—famously featured as sea nymphs in Homer’s Odyssey. Sirens exist in literature across many cultures including Ancient Greece and India, described as part bird and part woman, or like a mermaid. They were said to charm men by their song, and, having first lulled them to sleep, tear them to pieces.
© » KADIST
Kota Ezawa
The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history. In 1995, OJ Simpson—a well-known American football player—was accused of the murders of his ex-wife Nicole Brown Simpson and her friend Ronald Goldman. Based on the courtroom footage, Ezawa uses his signature style to create an abstract and graphically simplified echo of what happened in the room.
© » KADIST
Todd Hido
The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime. Both dimly lit scenes are dominated by an eerie feeling. Taken by a road, these painterly photographs suggest the uncanny character of the transient.
© » KADIST
Kota Ezawa
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock. At first glance, due to the oversimplified silhouettes Ezawa employs, the connection between his animation and Namuth’s film may not be obvious. However, when seen side by side, Ezawa’s piece is a faithful reproduction of the scene—up until a point in which his sequence begins playing in reverse, effectively unpainting every brushstroke.
© » KADIST
Lynn Hershman Leeson
Hershman Leeson’s documentary, Women Art Revolution (W. A. R.) draws from hundreds of hours of intimate interviews with her contemporaries—visionary artists, historians, curators and critics—who recount their fight to break down the barriers facing women both in the art world and society at large. The film features an original score by Carrie Brownstein, formerly of the band Sleater-Kinney.
© » KADIST
Bruce Conner
Drawing & Print (Drawing & Print)
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions. Untitled Inkblot Drawing (CT-1491) (1995) is representative of his aspect of his practice. It is a formal exploration related to many different things: the Rorschach inkblot testing used by psychologists, Japanese calligraphy, Egyptian hieroglyphs, and the intricate patterning Conner saw everywhere in the world around him.
© » KADIST
Lynn Hershman Leeson
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba. The film begins with the voice of Tilda Swinton narrating a manifesto of artists’ rights written by Bruguera in which she expresses her views on art, our universal right to both enjoy and create art, and the duty that artists have to dissent. The film then captures a series of therapy sessions between Bruguera and Dr. Frank M. Ochberg—the founding father of trauma therapy, particularly PTSD and Stockholm Syndrome—where Bruguera describes with great candor and earnestness several traumatic experiences such as the betrayal by her father who handed her to Cuban secret service, and her imprisonment in Havana years later after advocating for freedom of expression.
© » KADIST
Paul Kos
Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping. Here, Kos has surrounded two twenty-five-pound blocks of ice with eight microphones that call to mind the political press conferences prevalent during the Vietnam War era when this piece was created. Zen practice values such absurdity as a way to transcend the limitations of ordinary discourse and rational thought—empirical processes at the root of all political conflicts.
© » KADIST
Richard T. Walker
let this be us is a single-channel video by Richard T. Walker featuring the artist himself roaming around the wilderness of a deserted landscape, sporadically humming a melody, strumming a guitar, or playing a few notes on a keyboard. As he traverses between striking locations we see him carrying large photographic prints of the same landscape that he is treading, which he then rests onto tripods so that the horizon in the photograph seamlessly matches that of the real landscape. As we hear the music, Walker comes in and out of view, dissipating into the landscape as his body becomes invisible, hidden behind the photographic prints.
© » KADIST
Barry McGee
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner. Its tiled effect can perhaps be seen as a vertical Carl Andre work and also bears some resemblance to another work in the Kadist Collection, Jedediah Caesar’s JCA-25-SC. McGee’s installation also echoes the votive altars in the chapels he visited during his residency in Brazil in 1993.
© » KADIST
Lynn Hershman Leeson
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government. Through interviews, scripted acting, and illustrations, Hershman Leeson outlines the series of absurd events that led to New York state’s case against the former SFAI Associate Professor and artist Steve Kurtz. By closely following Kurtz’s story, Hershman Leeson reveals a strange ripple effect of the Bush administration’s destructive policies.
© » KADIST
Luke Butler
Drawing & Print (Drawing & Print)
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment. However, Kirk’s passive pose doesn’t so much suggest the aftermath of a battle as it does heavy contemplation, depression, or utter despair. Captain X is part of a series of paintings depicting various Star Trek characters who are stricken with human emotion-—a tactic that diminishes the mythological grandeur associated with this heroic captain and his indefatigable crew.
© » KADIST
Clare Rojas
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.
© » KADIST
Julio Cesar Morales
The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California. Reenacted here is Vallejo’s acquiescence to Americans who were attempting to overthrow Mexican governance of the region. When a small militia arrived at Vallejo’s house to arrest him, he invited them in and shared a meal.
© » KADIST
Julio Cesar Morales
Contrabando is a work that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes. It is a study of the realities and consequences of exploited labor that simultaneously aims to record the living history of labor.
© » KADIST
Kota Ezawa
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964). Ezawa uses his signature cartoon-like style to remix and reenact these crime scenes, leaving only the artworks as “real” objects (as they are depicted in the films), rather than illustrating them. Reversing fiction and reality in an unexpected way, this gesture invites the viewer to question the reliability of the visual footage.
© » KADIST
Lynn Hershman Leeson
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco. VertiGhost features the re-creation of select scenes from Vertigo (which takes place in San Francisco), documentation of the life of a painting by Amedeo Modigliani in the Legion of Honor’s collection that was enshrouded by questions of authenticity, as well as interviews—including with the original film’s star Kim Novak— about the construction of realities in life and art. By thoughtfully overlaying these conversations and events, Hershman Leeson distills complex conversations around identity and authenticity into concise insights in just over 12 minutes.
© » KADIST
Bruce Conner
In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue. 27 Punk Photos: 11. Dim Wanker: F Word, May, 1978 (1978) is representative of a series of photographs by Conner, whose subject became a fascination for the artist.
© » KADIST
Paul Kos
Parked on the shoulder of a single lane highway running through a desert landscape, Marlene looks over her shoulder from inside the car at a fierce storm looming over a distant horizon. Turning her head toward and away from the scene she says, “When I look for the lightning it never strikes, but when I look away it does.” And indeed, the lightning does seem to strike only when she turns away. Before filming Lightning , Paul Kos had done a fair amount of research on lightning, much of it conducted at the lightning research lab at the University of Colorado.
© » KADIST
Matt Lipps
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity. Matt Lipps created this diptych by photographing a single arrangement of cutouts. As in his analogous portrait of men, the middle section appears twice, on either side of the split, signaling a stutter, a caesura, or a schizophrenic break.
Raymond Pettibon
- location: Hermosa Beach, California
- year born: 1957
- gender: male
- nationality: American
- home town: Tucson, Arizona
Catherine Opie
- location: Los Angeles, California
- year born: 1961
- gender: female
- nationality: American
- home town: Sandusky, Ohio
Mungo Thomson
- location: Los Angeles, California
- year born: 1969
- gender: male
- nationality: American
Julio Cesar Morales
- location: San Francisco, California
- year born: 1966
- gender: male
- nationality: Mexican
- home town: Tijuana, Mexico
Miljohn Ruperto
- location: Los Angeles, California
- year born: 1973
- gender: male
- nationality: Filipino and Danish
- home town: Manila, Philippines
Paul Kos
- location: San Francisco, California
- year born: 1942
- gender: male
- nationality: American
Walead Beshty
- location: Los Angeles, California
- year born: 1976
- gender: male
- home town: London, United Kingdom
Lynn Hershman Leeson
- location: San Francisco, California
- year born: 1941
- gender: female
- nationality: American
- home town: Cleveland, Ohio
Paul McCarthy
- location: Los Angeles, California
- year born: 1945
- gender: male
- nationality: American
- home town: Salt Lake City, Utah
Kota Ezawa
- location: San Francisco, California
- year born: 1969
- gender: male
- nationality: German
- home town: Cologne, Germany
Chris Johanson
- location: Los Angeles, California
- year born: 1968
- gender: male
- nationality: American
- home town: San Jose, California
Will Rogan
- location: Albany, California
- year born: 1975
- gender: male
- nationality: American
Ed Ruscha
- location: Los Angeles, California
- year born: 1937
- gender: male
- nationality: American
- home town: Omaha, Nebraska
Luisa Lambri
- location: Los Angeles, California
- year born: 1969
- gender: female
- nationality: Italian
- home town: Como, Italy
Juan Capistran
- location: Los Angeles, California
- gender: male
- nationality: Mexican American
- home town: Guadalajara, Mexico
John Baldessari
- location: Los Angeles, California
- year born: 1931
- gender: male
- nationality: American
- home town: National City, California
Bruce Conner
- location: San Francisco, California
- year born: 1933
- gender: male
- nationality: American
- home town: McPherson, Kansas
Koki Tanaka
- location: Los Angeles, California
- year born: 1975
- gender: male
- nationality: Japanese
- home town: Tochigi, Japan
Daniel Joseph Martinez
- location: Los Angeles, California
- year born: 1957
- gender: male
- nationality: American
- home town: Los Angeles, California
Jeff Burton
- location: Los Angeles, California
- year born: 1963
- gender: male
- nationality: American
- home town: Anaheim, California
Andrea Bowers
- location: Los Angeles, California
- year born: 1965
- gender: female
- nationality: American
- home town: Wilmington, Ohio
Wallace Berman
- location: California
- year born: 1926
- gender: male
- nationality: American
- home town: Staten Island, New York
Mark Grotjahn
- location: Los Angeles, California
- year born: 1968
- gender: male
- nationality: American
- home town: Pasadena, California
James Welling
- location: New York, New York; Los Angeles, California
- year born: 1951
- gender: male
- nationality: American
- home town: Hartford, Connecticut
Larry Bell
- location: Venice, California
- year born: 1939
- gender: male
- nationality: American
- home town: Chicago, Illinois
Clare Rojas
- location: San Francisco, California
- year born: 1976
- gender: female
- nationality: American
- home town: Columbus, Ohio
Alicia McCarthy
- location: Oakland, California
- year born: 1969
- gender: female
- nationality: American
- home town: Oakland, California
Matt Lipps
- location: San Francisco, California
- year born: 1975
- gender: male
- nationality: American
- home town: San Francisco, California
Runo Lagomarsino
- location: Malmo, Sweden
- location: Sao Paolo, Brazil
- year born: 1977
- gender: male
- nationality: Italian-Argentine-Swedish
- home town: Sweden
Petra Cortright
- location: Santa Barbara, California
- year born: 1986
- gender: female
- nationality: American
© » ART & OBJECT
about 4 months ago (12/12/2023)
Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ROYAL ACADEMY
about 6 months ago (10/05/2023)
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....
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1960-1969
Wallace Berman
1969While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
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1970-1979
Allan Sekula
1973San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Bruce Conner
1978In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
Daniel Joseph Martinez
1978For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...
Larry Bell
Drawing & Print
1979(Drawing & Print) Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
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1980-1989
Charles Gaines
1980To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
Paul McCarthy
1983McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
Edward Kienholz
1984Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
Robert Therrien
1985In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
Catherine Opie
1987Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
Catherine Opie
1987In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
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1990-1999
Alexis Smith
1990Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...
John Baldessari
Drawing & Print
1991(Drawing & Print) The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
Catherine Opie
1993Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Catherine Opie
1994Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Bruce Conner
Drawing & Print
1995(Drawing & Print) Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
Alexis Smith
1995In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
Mike Kelley
1996Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
John Baldessari
1997In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
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2000-2009
Chris Johanson
2000Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
Raymond Pettibon
2000Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
Raymond Pettibon
2000The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Kota Ezawa
2002The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
Juan Capistran
2002The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Luisa Lambri
2002Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Mark Grotjahn
Drawing & Print
2002(Drawing & Print) This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...
Chris Johanson
2004Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor...
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Juan Capistran
2005White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Daniel Joseph Martinez
2005Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
James Welling
2005#17 Pink is a photogram, a photographic image produced without the use of a camera...
Julio Cesar Morales
Drawing & Print
2006(Drawing & Print) Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
Clare Rojas
2006Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Edgar Arceneaux
Drawing & Print
2006(Drawing & Print) Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
Raymond Pettibon
2006The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
James Welling
2006Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Lynn Hershman Leeson
2007Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Larry Bell
2007Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Will Rogan
2007Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
Luisa Lambri
2007Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Piero Golia
2007Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
Luisa Lambri
2007Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
Raymond Pettibon
2007The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Bruce Conner
2008Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Luke Butler
Drawing & Print
2008(Drawing & Print) In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
Clare Rojas
2008Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Julio Cesar Morales
2008The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...
Paul McCarthy
2008Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Mungo Thomson
Drawing & Print
2008(Drawing & Print) The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
Federico Herrero
2009Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
Jedediah Caesar
2009For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Koki Tanaka
2009Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Miljohn Ruperto
2009Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts...
Miljohn Ruperto
2009Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
Mario Ybarra Jr.
2009Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
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2010-2019
Will Rogan
Drawing & Print
2010(Drawing & Print) MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
Desiree Holman
2010Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
Alicia McCarthy
Drawing & Print
2010(Drawing & Print) A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work...
Alicia McCarthy
Drawing & Print
2010(Drawing & Print) A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work...
Chadwick Rantanen
2010Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...
Jedediah Caesar
2010After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...
Mungo Thomson
2010In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
Andrea Bowers
Drawing & Print
2010(Drawing & Print) The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Chris Johanson
2010Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky...
Walead Beshty
2010Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
Paul McCarthy
Drawing & Print
2010(Drawing & Print) To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
Koki Tanaka
2010Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Matt Lipps
2011In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Ranu Mukherjee
2011Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Julio Cesar Morales
2011Contrabando is a work that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes...
Matt Lipps
2011Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
Ana Teresa Fernández
Drawing & Print
2011(Drawing & Print) The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
Petra Cortright
2011In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...
Karl Haendel
Drawing & Print
2011(Drawing & Print) Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Walead Beshty
2011Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Julian Hoeber
2011Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Clarissa Tossin
2012In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
Mark Bradford
Drawing & Print
2012(Drawing & Print) This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Walead Beshty
2012Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Juan Capistran
2012The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
Jeff Burton
2012In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror...
Petra Cortright
2012In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape...
Rodney McMillian
2013In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...
Miljohn Ruperto
2013Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways...
Brian Bress
2013Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Koki Tanaka
2013This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
Jeff Burton
2013Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
Kota Ezawa
2014Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
Will Rogan
2014Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Mungo Thomson
2014Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
Phillip Maisel
2015While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Erika Verzutti
2015Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
Andrea Bowers
2015Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
Lynn Hershman Leeson
2016Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
Martine Syms
2016Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Lynn Hershman Leeson
2017Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
Clarissa Tossin
2017Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
Miljohn Ruperto
2017Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
Walead Beshty
2018Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...
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2020-2029
Runo Lagomarsino
Drawing & Print
2020(Drawing & Print) On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...
Runo Lagomarsino
2020Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...
